5 BAYWATCH NIGHTS (syndicated) All-powerful producer and bathing-suit wearer David Hasselhoff has turned Nights into X-Files with Plan 9 From Outer Space F/X.
The results are dumb, sure, but also lacking in Baywatch’s blithe goofiness.
You probably don’t remember, but Profit was a wittily bleak show about corporate shark and high-functioning sociopath Jim Profit (the magnificently oily Adrian Pasdar), who’d been raised in a cardboard box and parented by an always-turned-on TV set.
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And, as if in response to the criticism that NYPD seems unable to create a female character who’s not primarily a foil for the men, there seems to be a breakthrough: new addition Jill Kirkendall (Andrea Thompson), a cop who is already looking like the most resonant crime-solving woman since Helen Mirren’s Jane Tennison in Prime Suspect.
2 THE X-FILES (Fox) The concept most alien to this show — displays of simple human emotions — is what kept The X-Files fresh and intriguing this season.
So few viewers are watching that this vote is probably for a lost cause: big mistake, America.
8 PROFIT (Fox) In the year’s stupidest programming move, Fox canceled this strikingly original series after a scant four episodes.
9 SEINFELD (NBC) Last season’s concluding episode, in which George’s fiancee Susan died a ridiculous death (poisoned by the glue on cheap wedding-invite envelopes), was widely decried for its coldheartedness.